Saturday, May 14, 2011

May 14, 2011: The Longest Train Ride

WARNING: this entry is rated PG-13, or possibly R.  You might think I’m kidding, but then you’ll realize I’m not.  OK, you’ve been warned.

On Monday night I attended the second meeting for a theatre-related organization of which I’m proud to be a founding member.  We’re basically combining two awesome things: recycling/sharing and the arts.  When we get it up and running, it will be a big warehouse with a meeting room and a bunch of space to store all kinds of arts materials (in the theatre world, we’re thinking set pieces that have been used and would otherwise be thrown away due to lack of storage space).  We want to keep art materials/supplies out of the landfills and also enable them to be reused to make MORE ART!

But this is not the point of my story.

After the meeting on Monday night, at the late, scary hour of 8:40 pm, I took the train home.  It’s about a 20 minute ride from downtown to my stop, and with the approach of summer, the last threads of dusk light faded as I boarded the train.

I sat in the first bank of seats by the door, the kind that are a group of four, with two facing forward and two facing backward.  If you put a table in between them it might be a good place to play checkers or have high tea – you know, if it wasn’t a public train in the no-fare zone smelling faintly of booze and body odor.

I almost had the train to myself.  My section of “high tea” seats was nestled comfortably between the barrier of glass (I wonder if it’s bullet-proof?  I wonder why it’s there?) on either side of the doors in front of me, and a partial wall hiding the accordion-turning-thingy (that’s the technical term for it) separating the front part of the car from the back part of the car.  A guy chillin’ with his headphones was slouched about six seats (and two bullet-proof glass sheets) in front of me, and a girl talking on her cell phone was sitting all the way in the front.  The back of the car was empty.  I had one stop to enjoy my quiet, stress-free evening ride.

At the first stop, a biker dude carried his bike up the steps and headed toward the back of the car, and I wondered vaguely why he didn’t choose the next car (there is always at least one train car that doesn’t have steps up, to accommodate bikers, wheelchairs, elderly people, strollers, and people who have a disaffinity to stairs).  He was followed by a guy and a girl whispering rapidly to each other, and a skinny pale guy wearing running shorts and a baggy black sweatshirt.  He’s really the star of our story; we’ll call him Creepster McGillicutty.

Creepster McG, seeing (I’m sure) the vast array of available empty seats in both parts of the train car, took one look at me in my yoga pants, windbreaker, and blank expression and thought, “SHE needs a BLOG entry.  I have JUST the story for her.”

Ah, but Creepster McGillicutty was a man of few words and many body positions.  His first posture, as he sat down in my seating bay facing toward me, revealed to me that he was not, in fact, wearing running shorts.  No, he was wearing a baggy black sweatshirt… and sneakers.

It occurred to me at this moment to get up and exit the train before the doors closed.  It occurred to me, in fact, to scream loudly as I did so “Somebody call the driver!  Somebody call the cops!  Somebody give that guy some underwear!”  But you see, Creepster McG had stretched his legs out toward me, so that exiting would have forced me to step over them, and in my shock and rising panic at Creepster’s law-breaking boldness, I had the smallest suspicion that I might not reach the doors alive.  Or, that I would stumble and touch something that should be reserved for police reports and porn.

So the doors closed and the train rumbled on.  Aiming my eyes out the window but focusing my peripheral vision on my view of Creepster McGillicutty, I forced my gaze to remain bored and standoffish.  My mind raced.  Creepster leered, opened his legs a bit wider and leered some more.

Nobody got on at the next stop, and I thought, again, about trying to get off the train.  Panic turned into fleeting celebration as Creepster McG got up and moved, but only one seat away.  Now he was sitting in the aisle seat across from me leaning forward into the aisle, his eyes still boring holes into me, his unmentionable parts flopping freely.  I wondered: is he going to say something?  Does he want ME to say something?  But I didn’t move; I didn’t speak; I didn’t take my peripheral vision off him.

The train raced on, stopping once more before crossing the river.  I heard a group of people talking as they got on at the doors behind me, and I was glad of more possible witnesses of my plight.  But they didn’t take any notice, and Creepster and I remained alone in our semi-private room of bullet-proof glass, accordion-partial walls and “high tea” seats. 

As we took off across the river, Creepster McGillicutty settled in for the trek.  He scooted over one more seat and leaned against the window, putting one leg up on the chair beside him and opening the other leg, if possible, a little wider.  He leered at me.  I held my front of disinterest.  I decided to get off the train at the next stop, even though it was three stops early.

An eternity later, at the next stop on the other side of the river, a man entered the train through the doors ahead of us.  Although he didn’t seem to notice the situation, Creepster McG decided to move on and end my misery.  He got up and walked toward the back of the train, and the partial wall blocked my vision, so I don’t know who else he harassed.

I got off at my stop, power walked home, raged at Steve, posted a humorous Facebook status, bought some mace… and here we are, five days later, at the end of our story.  I heard that the first Friday of May was National No Pants Day, and according to Google, it’s true.  But also according to Google, you’re supposed to wear thick, modest underwear on National No Pants Day, and also my story happened on the SECOND MONDAY of May, and also we don’t live in a society of Aborigine hunter-gatherers, and also… just… PUT ON SOME PANTS and LEAVE ME ALONE!

That’s all.

Wednesday, May 4, 2011

May 4, 2011: Another Day, Another Audition

So, I went to an audition this past Sunday.  For some reason, I really had to talk myself into going.  I’d had the audition time for about a week; I knew it was coming.  But starting around Friday, I began inventing excuses I could email the director at the last minute:  “I’m so sorry, I won’t be able to make it to your audition.  I was cast in something else and it’s filming that day. . . . I lost my voice. . . . My pet rabbit is really sick and I have to take her to the vet.  . . . I’m writing you from an alien spaceship – I was abducted.”  But I’ve never been one to play hooky, and I knew deep down that I should go whether I wanted to or not.

I was auditioning for a small role in a local film, for which, if cast, I would be paid in catered food on the set, a copy of the footage for my reel, something to write on my resume, film experience (of which I have little), a chance to network and maybe get more work, the opportunity to hone my craft, the enjoyment of helping to create a piece of cinema . . . basically, I would be paid in every currency except money.  This is typical for young “professional” actors (“professional” in quotes because what does it really mean to be professional if you’re not paid for your work all the time?) in any city, I think, and certainly cities outside New York and L.A.  Allow me to go on a bit of a tangent.

I’ve heard/read “experts” say that actors should view it as their “job” to audition.  The competition being what it is, any given actor will not book the majority of roles she auditions for, so her job is to a) train and rehearse and fully prepare for each audition so that she can do her best each time, and so that her best keeps improving; and b) audition, audition, AUDITION.  This is her job because it’s what she will spend most of her time doing.  When she actually books work, this is the icing on the cake – her reward for doing her job.

I see the point, and I might even agree.  But for argument’s sake, can anybody name me another “job” that is so grossly underpaid (unpaid)?  Yeah, volunteer work.  Or an internship.  So I guess being a professional actor is like having an indefinite-term internship in the art of auditioning.  Or, you know, picking up trash next to the highway.

No, but seriously, I love being an actor, and I wouldn’t have it any other way.  And when I’m still in my pajamas at 10am, rehearsing sides loudly in my living room (sorry, retired neighbor Jim), I’m thankful for that (unpaid) time to rehearse, because I’m ON MY WAY TO SUCCESS!

But what was my point?  Oh yeah.  My audition on Sunday.  It turned out to be laid back, low stress, and fun, AND I got to walk through a nice neighborhood on the way home on one of the first sunny days we’ve had in months.

Another mild digression: auditions are not always laid back, low stress or fun.  I’ve auditioned for people who never once looked up from the table at me; I’ve auditioned in a bar that was so loud I couldn’t hear the instructions the director was giving me; I’ve auditioned in a room full of people reading for the exact same role, and followed another girl so breathtakingly good I felt like telling the director to give her the part and save me the trouble; I’ve auditioned in a theatre, in a church, in somebody’s apartment, in an office building, in a hotel conference room, in a hotel ROOM only slightly bigger than my bathroom, in a film studio, in a coffee shop full of customers, in a restaurant with no electricity, in a school . . . and the thing is, I never know for sure, beforehand, what it’s going to be like.  So every audition is a bit of a crapshoot, and I’ve got to keep playing if I ever want to win.

Somebody told me that Brad Pitt was discovered because he agreed to help a friend with a scene audition.  She needed a scene partner and asked Brad to work on it with her, and he agreed.  He wasn’t even auditioning for anything, but the director liked him and he got his break.  I don’t know if that’s true, but it supports my point.

If I want to be a working actor, I will seize every possible opportunity to audition, to work, to take a step closer to my dream, because I never know which step will finally lead me there.

PS – I got the role I auditioned for on Sunday.  Like I said, it’s not paid.  But maybe the next one will be.